2004 kms re-release of this 1987 classic, produced by kevin saunderson and mayday aka derrick may.

this is the 11th release from sui generiz (division of absolut freak records), a special one marking a new phase of the portuguese label. andy book comes with a very deep track with beautiful chords, vocal works and melodic sounds, which give a nice and smooth trip called >if you tried<. the outstanding and famous french producer alexkid - already signed on the best labels such as f communications, rekids or cadenza - offers a super interesting and cleverly made remix. brilliant minimalist work pushing the limits of the original mix even further. then, the finnish producer zentex, well-known for his works on traum, kickboxer or resopal, is back on sui generiz (after having signed the first reference called >blue<) with a stunning version. deep, solid and driving remix. just listen! last but not least, johnwaynes - the exciting duo coming from the same land as the label - brings some organic beats and a bright piano for a beautiful remix, not less sui generis work than they use to do. their very unique sound, already heard on compost, brique rouge or bloop, will make you dance all long.

circus company is proud to celebrate its first collaboration with one of the most emblematic and talented actors of the jena scene. for sure you know robag wruhme for is past work on his own imprint musik krause and on freude-am-tanzen alongside monkey mafia as the wighnomy brothers dj duet. this artist always stand out musically. from his past releases till today and across his remixes you cant miss his unique personality in music. this four tracker provides a colorful musical palette of mr wruhme. from the dark and minimal side of blech beulé to the «herbertish» robadella and the magnificent melodical slow mood of 48° 52&#8242,,,,,,,,,,,, n, 2° 21&#8242,,,,,,,,,,,, (in between, thats the location for paris on the map in case you loose yourself…) while he was delivering the tracks robag also requested a remix from ark, another strong character of the paris. ark did a a brilliant work on this blech beulé remix which gives a nice „avant goût“ of his upcoming album on perlon which will be out in april.

minz aka michel sanchez-infante, is a dj, producer and live performer from the netherlands. after producing for a few years, his productions caught the attention of ripperton in may 2007. ripperton released minz debut >un/mute ep< and the follow-up >jade ep< on his perspectiv label. both were well received and followed by a string of remixes on labels like connaisseur, suruba and 2pin, and compilation tracks for meerestief and perspectiv. after taking some time out to work on his sound, minz is getting back up to speed with releases for suruba x and now for ransom note. his style is slowly shifting to a more housey and organic sound, while keeping the deepness, thoughtful composition and meticulous attention to detail. tracks like ganzfeld demonstrate how minz has the ability to create outstanding productions that grow slowly on you before knocking you off your feet. on remix duties is the illustrious lee jones. hot off his brilliant ep on cityfox, lee blesses ransom note with his indelible take on electronic music. as deep as it gets and with a powerful exploration of the original, lees remix of ganzfeld is stunning journey sure to set off the after party in all of us.

already played by steve bug!! maetrik heads up the next audiomatique 12inch with the stunning >underrate dis< ep. well known for his great work on labels like mothership or dumb unit the man from valencia continues to grow from strength to strength with this storming three tracker. melting house, techno and sinister, super funky elements into a truly unique and unmissable package, theres sheer talent on display in unearthly amounts!

after the great success of ims007 >fine mouche remixes< a brand new single by the disco troubadour khan himself. candygirl is adam and eve, joseph fritzl and angela merkel. she is german schlager-kitsch but epic deep-disco-house. zeki muren meets david hockney. candygirl is the first single of the forthcoming khan album due later in 2010 produced by zero cash & khan for im single records. dj kaos delivers a straight pumping chicago jacking-house mix and japanese ikuo digs deep into his 80s neon-frosting cookie box. both sweet and driving. this spinning lollypop is accompanied by the visual work of two italian artists, miro mastropasquaand onze in form of this cover art and the candygirl video to be released simultaneously on im single records. you are my candygirl!

we welcome this fantastic producer on trapez with this piece of music which is quite different from most of what we get today. the title track >ghosts< feels like as if klaus nomi and kraftwerk were performing together... something we would have loved to have seen but which never happened. this track is not for the people who love it safe but for the adventurous and the wicked. voices like sirens striking with high pitched tongues being counteracted by basslines with a surface that can only be described as rough as chunks of splintered steel. a brilliant stop and go feeling shows that christian martin is the master on the steering wheel when it comes to controlling the movement.

its still like that: even though digital is everywhere there is still something very special about having your own tracks on a vinyl release. so this is it again: the very best of the last releases on koletzki_s sublabel stil vor talent digital on a double-sided vinyl edition. starting off with two tracks by bruch & junior that couldnt be more different: while >fiesta de la residencia< sounds like somebody threw some spanish vocals and trumpets into a pool of tech-house beats and basslines at a maniac afterhour on the white island (ergo: great),>sunset< is the deeply euphoric sound for the morning after. the synthesizers so crisp and all around you, the beat and bassline so warm and seductive: this is purely magical music that will make you forget when the sun went down or up the last time while still making you want to shake your legs to the strong bassline and chunky loop. hit! on the flip then comes a re-work of a massive hit on stil vor talent: a 2010 version of nicones >una rosa< complete with the original spanish vocals, but a much more grooving loop that turns into an absolute percussion fest. claps turn into effects and we all raise our hands to those reverbed original vocals. last up australian murat kilic with the wonderfully oldskool house anthem >summer traffic<: great melodic pads, a superbly harmonic bassline and when the breakdown kicks in, an ever-indulging xylophon melody. this whole record has got summer written all over it and helps us all get through this icy winter.

break new soil loves italy! and not only for the famous cooking everyone knows about, but also for the fact that some very inspiring house-music is coming from there right now: after romano alfieri & luca bears über-massive >moved to love ep<, we are happy to present the next dancefloor monster from our italian friends!
marco effe & romano alfieri, both based in livorno, seem to become two of the most promising newcomers of the young italian house-movement. marco proves this fact with two original tracks that will work any dancefloor out there, and additionaly romano delivers another stunning remix, that has already been massively tested in gregor treshers sets - we are more than happy to finally present them to you today.
early support by gregor tresher, karotte, dubfire, joris voorn, martinez, nick curly, fergie, dj madskillz, shinedoe and many more...

lil tony is hotter than hot. while starting to dj and produce years ago, tony has been a staple in the scandinavian club scene since the early 90s. an amazing dj (actually one of the favourites around the moodmusic hq) and a talented producer, tony started with the fbi project with roberto rodriguez and kimmo oksanen before dropping some serious damage on raw trax vol. 1 last year on moodmusic. caned by everyone from luciano (he edited his own version of semble) to dj hell, tonys raw grooves cut the crap and moved people when other producers had to take a leak. hardworking, never forgetting his gentleman manners, tony is here to stay and raw trax vol. 2 is a bold new statement, and his best work to date. solid state takes the classic detroit influenced drum machine vs piano theme a step forward, a impeccable jam of 15 minutes with the beat keeping the pace, this has been roadproofed the last 6 months to good effect. the b-side karamba is a dry, tight driven tech-workout, perfect mixtool for the deeper techno as well as housier sets. it just works well. the closing checkpoint charlie is a tale of >lost in helsinki< – dark mean bass wanders around and gives space for the chuggin main line, monotonic body music at its best.

some still know very little about t&b artist josefine jinder, so let us introduce her to you. in august 2008 we saw the debut ep of little jinder, >polyhedron<, and soon after in october 08 we gave >polyhedron< the remix treatment with loads of t&b producers. in june 09, after countless gigs and production work, jinder returned to the t&b catalog with >youth blood< on their scion comp. the tune was such a hit t&b had no other choice but to give this epic blood sucker disco house anthem the same remixing treatment as >polyhedron<. as usual, t&b remixes are all over the board from a joker-esque dubstep remix by 12th planet & flinch, a monster mash heavy bass electro remix from sharkslayer to a remix by tomas andersson, who graces this 12 inch with a smooth rolling disco remix straight from the dub factory. this is one of many releases to come from jinder, this is her first single in support of her full length record to come out in 2010. definitely an artist to watch.

their debut perc trax release opens up with noson, a track which perfectly demostrates their sound, with tough but clear 909 drums underpinning a dubbed-out industrial soundscape that continually evolves as the track runs its course. on the flipside comes the 2-part indifference. part 1 featuring intense echoing synth stabs over clipped drums whilst part 2 goes deeper, but still with enough muscle to work in the sets of most djs. watch out for donor / truss remix of forward strategy group, coming up on perc trax in early 2010.

full energy techno! dancefloor burner!!

spiros kaloumenos presents his new installment, focus records. after many years of hard work including over 40 vinyl releases, gigs around the world, radio shows with dedication and focus on techno music, spiros decided to create a new label that will reflect his sound as it developed nowadays through the new modern influences of techno. its like, his personal touch to the sound that established him all these years, but this time he wants to take it one step further..straight, forward thinking techno blended with future elements and some groovy minimal influences. this is our focus!always faithful and focused to the techno sound be sure that this new imprint will again be the one you should definitely watch out!!be prepared and stay focus.

these two tracks have proved to work wonders on dancefloors across the planet, support from all the usual players and a massive follow up to the previous two >club tracks< releases in the series, which have received plays and praise by djs from all various styles such as laurent garnier, d julz, heartthrob, luke slater and dj hell to name a few. a-side track >nobody home< grows into a huge build using an oldschool moog-bassline, whilst the b-side chops up and pitches around an edited voicerecording over straight forward beat, resulting in a very unusual, groovy and hypnotic jam for the late hours.

kink - bitter sweet
kink has built up quite a reputation recently with some amazing work on rush hour alongside neville watson, and two slamming old-school-vibed remixes on liebe*detail. now we present his debut original track for the label, and >bitter sweet< really shows off his tender, heartfelt approach to house. raw, beautiful, melancholic and spine-tingling, this is modern house with a harmonious nod to the pioneers, connecting with us on deeper levels and remaining within us forever.
tom demac - draw me in
wales tom demac has already proved prolific as a producer constantly putting out genre defying, funky and ingenious hybrid house. also his debut for liebe*detail, >draw me in< takes on a strong and bass-heavy approach, with tight drums and freaky vocal-snippets melting together into a mutant jam of seismic proportions. reduced, casual and yet deadly cool, its a welcome additions to toms excellent production catalogue!

we are so proud to welcome the talented producer from chicago, kate simko, known for her great work on spectral. kate send us 2 amazing pieces of music... a-side, >lost in time<, made during a trip in argentina, shows the deep, intense and intimist sides of kate music. dark grooves lead by an amazing atmosfere made of pads, synths and keys... like dop said... they were in love with it, and wanted to remix it badly. on the b-side, the dop remix is a great reinterpretation of the track with a pop feeling, where jaw bring his vocals. another version of the remix, a really and special one will be released in 2010 on eklo. the second track gets in a more housey feeling, but still deep with famous kates rhodes/synthssounds, and a great toms hooks leading the track through her groovy organic and analogue rhythm.

the soul square were born in 2005, when 3 french hip hop beatmakers (arshitect, guan jay & permone) influenced with the same musical roots (mainly jazz, soul, funk?,) decided to work together. on the same year, they released their first remix album, the fresh touch, available for free on the web...

with accumulated success of the first installment from us based fragmeted audio, the highly anticipated second release arrives after a brief hiatus.
featuring the title track from las kj gibbs (i.e. apendics shuffle) and remixes from berlins dilo and berkeleys j. tonnissen (i.e. davros, praxis), this release is a full-on hypnotic sensory exploit into mind twisting late night techno. kj gibbs delivers a shuffled up head-spinning funk jam laden with precise hits, live acoustic samples and heavily modulated effect work. taking a slightly deeper approach, dilo offers up a much more subtle journey through deep hazy loopy drum bits, morphed vocal hauntings and a progressive yet solid drive. completing the mix, label boss j. tonnissen kicks it up a notch with a monster low-end bassline, menacing analog synth loops, clever vocal edits and huge floor power.

coloured vinyl! yoshihiro hanno aka radiq is a highly acclaimed musician and composer from japan, now living and working between tokyo and paris. he did releases on imprints like sub rosa, logistic and progressive form. hanno worked with the new japan philharmonic orchestra as well as arto lindsey or ryuichi sakamoto. besides he got international fame as a composer for different film scores including work with asian movie master hou hsiao-hsien and film director jia zhang-ke. radiq is since some time well aligned with the philpot camp. when he and soulphiction met again last year during the philpot tour in japan, co-operation was affirmed and tracks were committed. two of those funky nuggets are released here, one coming with a brilliant soulphiction remix treatment. >thanks for purchasing a real copy!!<

bangin uk prime time techno! truesoul starts 2010 with a strong return to form that stands proudly next to recent releases by adam beyer, cari lekebusch and joel mull. debuting on truesoul in 2009 with the emotive sky is falling ep, dustin zahn has received critical acclaim for his work on drumcode, rekids, and his own enemy records. a keen experimenter with sound and style. the restrained tension that runs through this ep is testament to zahns desire to evolve techno beyond the norm.

gadi mizrahis first ep embodies the kind of musical promiscuity that informs the parties and label output generated as one half of nycs infamous wolf+lamb duo. a languorous, supple pulse, before introducing a surprising degree of musicality and complexity-the nominal disco doesnt just reward frequent listens, it demands it-for such an effortlessly inviting work. all told, i can never get enough makes for a wild ride and a blindingly bright debut from mizrahi

spectrum recordings returns after a lengthy break to bring in the new year with a bang! 2 brand new tracks with the vibes straight of detroit circa 1993, brought up to date in a 2010 style, all courtesy of mat puffett - aka future beat alliance.
>diagram< has already caused a stir with its gruff roaring bassline juxtapositioned against the warm uplifting strings and pads. this is an intelligent and beautiful piece of electronic music, but still has the weight to work on the dancefloor and will appeal to a wide range of house and techno djs.
the flipside >crying sine< is a hypnotic groover surrounded by lush, atmospheric pads and spacey percussion: its also very dj friendly and across the board support is expected.
spectrum have taken a look back to move forward, and manage to sound as current as ever in an ode to the glory days of techno.

ladies and gents, a round of applause for max essa >2 be the one u want<. max has been behind a slew of classic releases over the years, including his recent and amazing work with the bearfunk label in collaboration with owner and international disco svengali stevie kotey. max is a true soldier of the balearic cause, the isit boys are more than pleased to have him at the helm of their tenth outing.

nice price deal !!! fantastic music with its mix of minimal club beats, great elements of pop and lyrics somewhere between confidence and skepticism, randnotizen from idiot town is a seminal work encompassing different aspects of urban music and cultural styles. the singer behind school of zuversicht is dj patex who is also known for her performances at the most famous dockside shack, the golden pudel club

soul purpose pays homage to the masters at work classic originally released in 93. now replayed and in 3 superb versions from martin ikin, a former tracksource #1. dj support grant nelson / shur i kan / aaron ross / cj macintosh / wez clarke / miguel migs & more

3 techno funk cuts tailored to the dancefloor. support by gregor tresher, anja schneider, patrick lindsey, tim xavier, mathias mesteno, someone else & micro.fon artists m.in, sabb & dualton!! cut 1 sports a slow-mo groove peaking with classically instrumented breakdowns which then immediately dissolve into the stripped down dark groove again. b1 contains dirty vocals and a strong techno groove. b2 is a murder bassline cut with nice percussive work and interesting little grooves

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

support by phil kieran, chloe, electric indigo, xpansul, terence fixmer, david keno, herve, ... the underground is what the politically correct devastates. being able to make a step aside, daring to make what the times do not take in count. this is the leitmotiv that defines best the work and state of mind of monoblok & pussyselektor, an upcoming explosive duo composed of two activists of the electronic scene from the north of france.

supported by: george g, elon, robert owens, mihai popoviciu, ethil and many others!
jazzy tourism is the first work that establish apparel music in the electronic music market. apparel seeks to combine differents hemispheres, trying to impress on vinyl every mood and emotion. every song is built for narrow audience, mental, impatient, just like jazz, get something of magical on the dance floor.

>sweet devil< by pirupa & pigi might be their best work to date. its a full on detroit tech house banger with a very catchy vocal hook on it. this one grows with each listen and whats even better is - it really works in the clubs!
>sax on wax< by sabb & s. elezi is a delicious slice of deephouse with sax snippets and a solid, deep groove. perfect for the warm-up hours but will also work a treat for the late-night morning sessions.
once again a standout 2 tracker on nm2. close your eyes and use your ears.

must have club classics!!

a new year, a new basics! david moleon on this favourite future techno funk label. he delivers in style as usual with his heavy layered beats, light percussion and funky basslines. this is a 3 track ep that will work the dancefloor in any club! big!

okains dj career kicked off back in 1999, when at the tender age of 15 he began spinning regularly at parties. influenced by french legend laurent garnier, it wasnt long before he was offered his first residency. since then, he has gone on to play at the hottest of paris nightspots, including the rex club and social club. through playing at the now famous dimuschi parties he teamed up with paul ritch. after some time studying in sound engineering, the pair released their first ep under their handycraft alias on kickboxer. since the success of that >le bal masque< ep, okain has gone on to release on labels including robotronic, bpitch control, four twenty, tsuba, quartz and of course jetaime, and has been fully blooded in the art of touring. gigs have flooded in, and his travels have seen play many of europe s finest nightspots. his >blackrock< ep on quartz earlier this year found fantastic success with so many of you, and today our good friend is back, with the awesome >acrobat<.
the original sees okain take the warm, techy path. a lo-slung groove leads us into the melodic strings. matched with sharp efx, strong beats and a demonic laugh, this is a sure fire winner. first on remix duty is label head alex dee. toughening proceedings, alex creates a driving, somewhat tribal work out. relentless beats work brilliantly with the now chopped vocal, to create dramatic tension that builds to a crescendo in the break. a fantastic mix. a great package already, and one that just got even better with the edition of daniel mehlharts incredible rework. the frankfurt producer is hot property right now, and this mix showcases perfectly just why. deep, warm and moody, with huge helpings of classic detroit touches, the originals strings are accompanied by weighty synth stabs, to stunning effect. essential.

joe clausell has long been one of new york city’s busiest dance figures, thanks to his work in all areas of the house community: as a highly respected dj, producer, remixer, and label-head. after a decade long break from releasing a full length, here’s ‘un.chained rhythums part 1’ with a mix of worldmusic and afro/latin inspired club tracks

expert techno producer alex cortex returns with a four tracker, which includes some of his best work to date. alex cortex is best known for his versatile output, from melodic downbeat electronica for labels like ann aimee to kicking techno or drexciya-style electro.

alex smoke returns to the fore with his new single lux+ in advance of his third album >lux< which will be released feb 2010. the new album is the result of his hard work and delves into more abstract and experimental territory whilst retaining the melancholic musicality and cohesion of its predecessors.

hailing from sao paulo, wehbba is one of the latest additions to brazils techno ambassadors. having contributed heavily to tronic in 2009 with an ep and his acclaimed rework of jim rivers full tilt track, wehbba is headlining the inaugural tronic treatment compilation to be released in february. wehbbas talent as a dj / producer have taken him on a worldwide journey that has seen his powerful, rhythmical and emotive productions appear on some of the scenes most influential labels including global underground, get physical, great stuff, audio therapy and urbr.
sweet spot sees wehbba push a housier sound from previous work, focusing on swaying beats and a deep-edged ambience. the sweeter mix toughens the groove and takes the track into more late-night territory.
brother keeps the vibe of the ep on a deeper tip to complete this fresh sounding ep. centered on an epic groove of building chords and sweeping vocal refrain the dancefloor punch comes from a heavy pulsing bassline.

saved kicks off its 2010 release campaign with an ep from mendo and danny serrano. the duo achieved a successful 2009 between them with releases on bouq, clarisse, viva and luciano s cadenza imprint. for their saved release they present an incredible two track ep which is set to cause damage to dance floors across the globe. on the a side is yanara , a powerful deep and techy track which builds perfectly with layers of effected vocals and drum rolls to create an audio masterpiece. on the flipside is berlina . just as effective as the a-side, it possesses a grooving bassline, which works perfectly with the vocals that mendo and danny have edited flawlessly to make the track work to great atmospheric effect.

right on the heels of our previous bass/electro smasher, we hit you with the most anticipated house/disco record of recent times. helsinki 78-82 is a project by top billin team members flipper & koobra, whove always been active and always been down to bring something new to the label. while flipper is part of the top billin dj team and has always been the most high-flying of us, so no wonder the the new 12inch is some musical bliss thatll leave you feeling that good good. this is what we call big city house music, when youre cruising the streets at night with the top down - no words needed. in a manner michael mann would be proud of. so lifelike is a sort of remake of lifelikes great so electric (under permission), although this time it comes with vocals from our great helsinki new wave partners villa nah. if you are in need of a new end-nighter, this is it. cruising is a tune full of that pumping big city feel with driving drums and great synth work that will get them ladies on the floor and will fit into those funky house / modern disco sets. we even have a video for it, but its a different kind of cruising than you think (no al pacino)…

2017 repress, with jamie and i being die hard fans of prince, i knew that once we sat down to work on this >prince-like< vocal track, the outcome might turn out epic… and it did! >nasty things< became an instant anthem for our dj sets. two takes on the talking heads on the reverse to round it all out

deep a & biri have been involved in the tel aviv house scene for some time. with this 3 track ep plus digital bonus track they give their debut now.
>twisted tango< is the most stripped down of all three tracks and a real cool groover. one of these tracks that grow enormously with volume and space. these two guys have got a good vision of how dance music should be to clad the clubbers in cotton batting. their cool way of transmitting indifference has always been the carrier of sensuality and sexiness in entertainment and it does create a certain kind of peppermint stench here. the vocals stabs in this one work like dubby elements which deep a & biri drop like things dropping out of your pocket.
>mischievous< is a perfect bassline monster... deep and heavy with a genius >pam pam< vocal stab. we dont know where these samples come from but they are luscious as hell. welcome to the pleasure dome!
>hine gama< is as cool as the two other tracks but but a little more laissez-faire fair. we dont think that anybody will be able to resist this bright light brown colour it shows with all its reflections of intensive sunbeams shining in.
this release fits perfectly to the last release on trapez ltd.

dug up from the crypts this one is set to explode. todd terry esque synth stabs over top of some larry levan flavored beats. all the accapella pieces are included and on the flip joeski gets to work and brings this retro house jam to the forfront. with a simple bassline and some dubbed out effects on top and a harder kick...

sister label to markantonios analytic trail imprint, mkt records is all aboutproviding a channel for different concepts in techno music. looking forward in to the future of electronic music, mkt is a space for new sounds to develop, evolve and emerge. originally created as a home for markantonios experimental work, mkt has developed into a destination label for all forward-thinking techno acts. unearthing a never-ending conveyer belt of neapolitan techno talent, markantonios mkt records have consistently struck gold with a series of eps from emerging artists such as joseph capriati, mladen tomic and flavio diaz. this time out label boss markantonio takes the controls for an ep of his own.
title track >play the music< kicks off the ep in understated but highly effective style. forged from a brooding low-down bass with plenty of wiggle this track cuts a heavy mechanical groove through waves of sci-fi effects as it builds and drops.
>funky junkie< pumps up the tempo for a full-on ride through funked-uppercussive techno. centered on a groove of big heavy kicks and jacking snaresthis inventive vocal track joins the dots between early chicago house and techno.
>debug< completes the ep by taking a more stripped back approach, laying out a minimized tech house outline around which is added a combination of a bigbouncing bassline and layers of tribal horns, firing percussion and rising sirens.

moscow aka matthew nicholas waites is a brightest hope of new disco scene. matt have started his producer career as nightmoves. its his remix work project and he has provided the remix for klaxons, van she, robbie williams,freeform five vs mylo, roisin murphy and more. in 2008, matt started moscow project to make deeper, atmospheric music and made the two remix for mighty thisisnotanexit label, the remix was supported by aeroplane and namea few. this >throw up ep< is a long awaited debut single as moscow. original version is a bumping acidy boogie disco stuff and brontosaurus aka artom wambe remix is housy and deeper, its for all round.

danish synth-rock band turboweekends first release in the uk is an atmospheric yet heartfelt cry of regret on the a-side and a jumpy celebration of the end of work obligations (with an ironic twist) on the b-side, featuring the royal company of bristols finest, joker, and indie prince russell lissack from bloc party.
- i am tipping them for very, very big things here in uk. the lead singers voice is amazing.(?)this is huge. -mista jam (live on bbc1 and 1 extra)
- natty danes turboweekends angsty single >trouble is< is like one republics >apologize< as seen through the bass lens of blank dogs (?) its an excursion into the dark crevices of your feelings, but dont even try and tell us youre not at least a little emo. ? the fader.com (julianne shepherd)
- wow. most remixes dont do justice to the original song, but this is from another world. this bass heavy remix is the reason i love british music. ? man movement.com (lsr)